A Figure from the Common Lot


Virtual cover for novel A Figure from the Common Lot


















Readers, A Figure from the Common Lot is off the blog, as I’m preparing a fresh edit; next to send it out for consideration by publishers. But I’ll leave behind a sample, below.




Book One: 1870-1871

Chapter One: Cette Illusion de la Mortalité





Book Two: 1876

Chapter Two: Possente Spirto





Charcoal and pastel drawing of young man feeling distressed





Chapter Three
Peas in a Pod


Its current carved the land

Many more miles long

Than the eye can see

Landholders, granted degrees

On the bank, exchanged in principle

The ornamental alloy




Ebrach, Richard thought.

His father’s breathing, for a time inaudible, or drowned by this onslaught of wretched weeping in combination with Ebrach’s poetical spiel, meaningless to Richard, had become broken, as though the elder Richard suffocated, and fought death. Had he been awake, he would not have done so. But he was unconscious, and his mind’s instinct prompted these explosive gasps that counterpointed Ebrach’s baritone. He would awake in full, lost and obdurate, spoiling for trouble; and Ebrach would claim this disruption had broken the courage of Micah’s tentative, flighty spirit.

My fault maybe, Richard thought. He had chosen to bide here at his father’s feet. Had he not, in a way, taken responsibility?

He was not willing that his own voice be heard during this ceremony; therefore he was unwilling to speak to his father, even softly, begging him to be still. With his arms around his knees, he sat angled to the dining table, taking sidelong glances at the three who sat there. With a fascination that churned him up inside, Richard’s eyes were drawn to Gremot’s back, to the knobs of a spine that projected so prominently against the cloth of Lawrence’s shirt, as to be visible even by the light of Ebrach’s lamps. This frailty and passivity stirred an urge to violence in Richard. Gremot had done nothing to aid Ebrach. He’d sat and wept, and had not marked down a word.

Richard stared at Ebrach’s hand, closed over his mother’s. His mother sagged in her chair, her head inclined towards Ebrach, her swollen face oddly transfigured by the moisture that bathed it. She seemed younger to Richard…not the mother he’d known in his childhood, but like a child herself. He saw Gremot lift his head, and push to a posture half-sitting, half-cowering. And all the while, as he wiped at his face with Lawrence’s shirttail, Gremot shook with fresh tears. The fragmented light showed them glisten in the hollows of his eyes.

Lawrence had told Richard that Gremot would go to the house of his kin and relate all this. He would paint the Everards fools. He would show W. A. Gremot where to wind the coils of his snare, and at last, even the brutal charity Gremot extended to their father would be withdrawn.




Peas in a Pod

Pastel drawing of unhappy young man in dinner suitThe House of Gremot










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