Llewellyn at Home: Sixth Battle Stations
The Folly
Battle Stations
Llewellyn at Home
Colonel Llewellyn keeps visitors to Chequerstone, his private home
In refrigeration, in an odd three-cornered chamber, the host in surmise…
(today, however, he is guest, and arguably self-invited)
But, for troubling a busy man, thus to take what he gets—
He has time. Ages of things, their adaptations, his avocation
Landscapes change…why suppose
The first to raise what might have been a hut…more burrow
roofed in turfen shingles, would keep stock
Ancient marshlands be employed at all, for pasturing, and…
(inconsequential thought) there is a rumour of mock-sheep
fleeces wrapped on armatures, dotted on hillsides
(foxholes under, men with glasses staring out to sea…)
But this cold little room, with its fog-coloured light
Ingeniously linking a closed open porch, to the Tudor front
The repressive ugliness of utility, bouts of wealth and continuity
Speak rootedly, in truculence. The dead here are pleased to remain
And not liking Llewellyn…not having met him, but—
Instinct’s counsel counts for much. The host smiles, taking care…
as though the Meissen ballerina
on the mantelpiece had charmed his eye
…to rise and cross to her contemplation
He smiles again, casts ethereal communication
outbound, in the style of an estate agent, directions
from the Folly to Chequerstone
‘…eminently suitable to your needs…’
Honeymooners cottage, it may be
Says Llewellyn, ‘Just behind you is a shelf of books.
It always entertains me, the way that visitors will mooch about
gazing through windows or fingering one’s bric-à-brac,
but are reluctant to seize upon a thing to read.’
‘How do you do, sir,’ the host says, replacing the figurine
Llewellyn at Home
Perhaps a Pair of Eyes
Mince No Words
(2019, Stephanie Foster)